Os alunos redigiram em Inglês as legendas das obras expostas referentes à Semana de Arte Moderna e do Movimento Modernista.
Poderão, ainda, participar do Sarau com poesias e músicas em Inglês, interpretadas por eles, especialmente da época de 1922.
Vincent van Gogh
My Picture: inspired by the starry night that was released in 1889, and also for sunflowers, which was released in 1888. The meanings of his paintings were given to his death or depression, since the starry night was painted when he was in a hospice, and sunflowers was when he was announcing his depression because he never liked sunflowers. Already my painting, night of roses or “Noite de rosas” wanted to portray the hope of life, and its wonders of life itself, how the aurora borealis was made to portray the wonder of the worlds, and the sakura tree, means the hope and happiness of life (real meaning of sakura trees).
Vincent van Gogh (1853-1890) was an important Dutch painter, one of the greatest representatives of Post-Impressionist painting. Vincent Willem van Gogh (1853-1890) was born in Zundert, a small Dutch village, on March 30, 1853. The son of a Calvinist minister, he was a rebellious and unsociable child. He met renowned artists in his life but never reached his height of fame, only after his death he became known to the world for his works. But in his life of so much depression and sadness, he himself checked himself into a hospice thinking he was going crazy, and it was inside the hospice that he painted "Starry Night", and “sunflowers” a year before he was admitted, at the height of his depression. By: Erick
Vicente do Rego Monteiro (1899-1970) was a Brazilian painter. His paintings have been exhibited in national and international museums. He was a professor at the Ginásio Pernambucano and at the Recife School of Fine Arts and at the Central Institute of Arts in Brasília. He was also a sculptor and poet. In 1911 he moved to Paris, where he studied drawing, painting and sculpture at the Académie Julian. He attended the Académie Colarosi and the Académie de la Grande Chaumière. In 1913, he exhibited two works at the Salão dos Independentes. With the First World War, he returned to Brazil in 1914, settling in Rio de Janeiro in 1915. In 1918 he held his first solo exhibition at the Santa Isabel Theater in Recife. Vivente do Rego Monteiro painted several canvases with religious themes, always adapting the traditional themes of sacred art to a modern language. One of his most famous paintings, “Woman with Chicken” (1925), was painted during his stay in Paris. The painting has elements of Art Decor, with an indigenous theme, a theme much explored by the painter.
Resumo da obra:
The painting Deposition, also known as Pietá, is a work by the Brazilian painter Vicente do Rego Monteiro. In his religious-themed canvas, he represents the deposition of Christ from the cross. Due to the proximity of the block, the figures form a single one, as if it were a sculpture. The absence of a neck, the shape of the hands and feet, as well as the patellas, and also the same for small circles, to the corrosive art mara, too. By Davi Rochelle
This painting is a reinterpretation of the work Autorretrato com Colar e Espinhos de Beija-flor 1940, with Obra Árbol de La Espeoranza, Matente firme from 1946 (Frida Kahlo).
Frida Kahlo mas important Mexican an painter of the 20th century. She is considered, by some specialists in the versial arts. an artist who was part of Surrealism tlowever Frida herself denied that she did not pain't dreams, but her own. reality. He stood out in culture defending the rescue of after as a form of opposition to the Euroxim imperialist cultural system. Her full name, was Magdalena Carmen Frida Kahlo y Calderon. She was born in the city of Coyoacán (merica) July 6, 1907 and died on July 13, 1954 in on that some city, of pulmonary embolism. She studied in her early youth, at the national Preparatory School. At the age of 18 he was in a serious tuus accident, to fill his spare time, during his recovery he began to paint. In August 1929, she married the mexican painter Drigo Ruiva with whom she had tumultuous a and unstable marriage, they lived in the United States between 1931 and 1934. And divorced in 1939, although she maintained relations with him in the following years.
Still in 1939, Frida, exhibited her work in Paris, at the gallery Renon et colleo. She gave intraductory classes to painting, from 1943, at Escala La Emeralda in Mexica City She had three miscarriages in her life. She had a fife marked, especially after the diarce, by the alumnie consumption of alcohol. She said it was to allwrate the suffering that har always marked her life In her paintings there was the use of strong and vivid colors. She also painted many self-portraits, diad landscapes and imaginary somes. Here one of his famous phases: mour paint dreams or nightmares. I paint my aw reality. " Eu nunca pinto sonhos ou pesadelos. Pinto a minha própria realidade." Nowadays she has become a feminist symbol, nat only for her paintings, but for her engagement and social empowerment in the face of a still conservative sonario. By Maria Fernada Macedo
Ferrignac
Inácio da Costa Ferreira Ferrignac (1892-1958) was a brazilian lawyer, ilustrator, caricaturist and writer. In the Art Week was his greastest contribuition in the field of visual arts. In 1925, he joined the polic, abandonig drawing forever.
Ferrignac: Colombina. Colored drawing. 1922. Adolpho Leirner collection, São Paulo. By Ana Clara Perez
Claude Monet
Name: Oscar-Claude
Last name: Monet
Date of birth: November 14, 1840
Place of birth: Paris, France
Date of death: December 5, 1926 (86 years old)
Nationality: French
Monet’s Works: Impression, Sunrise, Water lilies, The Japanese Bridge….
Claude Monet (1840-1926) was a painter considered one of the most important painters of the Impressionist School. The term Impressionist emerged during an exhibition held in 1874, when Monet’s painting, “Impression, Sunrise”, was criticized for portraying the “impression” of a scene rather than reality.
The term that was used pejoratively became more important and came to be considered the head of the Impressionist School, one of the most importante in the history of painting. His painting is now in the Marmottan Monet Museum in Paris. By Ana Júlia Souza
OLÍVIA GUEDES PENTEADO
(62 years old)
Promoter of Modernism and Protector of the Arts
Campinas, SP (12/03/1872)
+ Sao Paulo, SP (06/09/1934)
Daughter of coffee barons, she married and went to live in Paris, where she transformed her house into an important cultural hall. When her husband died, she returned to São Paulo, where she also opened her house, building a Modern Art pavilion, living with artists from the 22 movement. She participated in the Constitutionalist Revolution of 1932. By Maria Eduarda Lima
Edvard Munch
- Edvard Munch was born in the city of Løten (Norway) on December 12, 1863. His father was called Christian Munch and his mother was Laura Cathrine Munch.
- He had a very troubled family life, as his mother and a sister died when Munch was still young. Another sister had mental problems. Munch's father had a life marked by religious fanaticism. To complicate matters, Munch became very ill during his childhood.
- As an adult, he began to present a troubled and conflicted psychological picture. Some scholars claim that Munch probably had bipolar disorder.
- Munch studied fine arts at the Lyceum of Arts and Crafts in the city of Oslo (capital of Norway).
- In 1885, he traveled to Paris where he came into contact with various artistic movements. He was very attracted to the art of Paul Gauguin.
- Between 1892 and 1908 he lived in the city of Berlin (Germany). - In 1892 he participated in an art exhibition in Berlin. However, it was canceled due to the great shock it caused in German society.
- In 1893, he painted his most important work of art: The Scream. This work became one of the symbols of expressionism.
- In 1896, he began to make engravings and presented several innovations in this artistic technique.
- In 1908, he returned to Norway to live permanently in his native country.
- In 1919, he contracted the Spanish flu virus, however, he managed to survive and resumed his work.
- The late 1930s and early 1940s went through a strong disappointment. The Nazi government ordered the removal of all of Munch's artworks from museums in Germany as they were considered to be aesthetically flawed and for not appreciating German culture.
- Munch died on January 23, 1944, aged 80, in the city of Ekely (near Oslo). His body was buried in the Cemetery of Our Savior, located in Oslo (Norway). By Enrico Campos
This is the biography of the amazing artist Anita Malfatti, Brazilian painter, born on December 2, 1889, in São Paulo. He learned to paint from his mother. However, the artist studied, in 1914, at the Royal Museum of Arts and Crafts, in Germany, and, in 1915 and 1916, at the Arts Students League of New York and the Independent School of Art, in the United States. His first solo exhibition took place in 1914, in São Paulo, but the one in 1917 is his most famous, due to its importance for Brazilian modernism. The artist participated in the 1922 Modern Art Week, an artistic event celebrating the centenary of Brazil's independence and responsible for publicizing new trends in Brazilian art, that is, modernism, a movement that broke with traditional art to create modern art. , innovative, independent and national. Thus, the creator of the canvas O homem Amarelo had her peak in modernism, but, with her artistic maturity, she chose to make a more spontaneous art, with a theme based on popular culture, until her death, on November 6, 1964. By Clara Cruz
Retrato do arquiteto e pintor Carlos Prados,1933:
It is a work from 1933, this work is he result of doetoral researsh and aims to analyse from a historical-social point of views, the set of work of Carlos da Silva Prado(1908-1992), better knowm as Carlos Prado, active in modernism as a visual artist, architect and functional as chitecture theorist, in the period 1930-1990.With a diversified production in terms of techniques used, styles and themes, the works of the popular or bolkloric phase, as well as the social ones, including those carried out from the point of views the urban planner, where he created a panorama of the city at the same time modern and with serious infrastucture problems, such as the lack of transport and housing for the less privilegd,economic classes, are interrelated and highlight the differences between progress and backwardness, rich and poor.Carlos Prado was a painter of São Paulo modernism, who adopted the popular and social theme, printing in this works na idealized vision of the part from the point of view of na aristocrat, who cebosbed the idea of “brazilianness”defended by the Critic Mario de Andrade and, Sergio Milliet
Biografia:
Flavio de Carvalho
Painter, draughtsman, architect, set designer, decorator, writer, pauwrigh, engineer.
He moved with his family to São Paulo in 1900. In 1911, he began to study in Paris and, three years later, in England, where, in Newcastle, in 1918, he began a civil engineering course at the Armstrong College of the University of Durham. And enters the evening arts course at King Edward the Seventh School of Fine Arts. He finished his engineering course in 1922 and that year returned to live in São Paulo, where he arrived shortly after the Modern Art Week. It develops activities in various artistic and intellectual areas, often in na innovative and provocative way. He participated in public architectural competitions, such as for the Palace of the Government of the State of São Paulo, in 1927, and, although he was not a winner in any of them, his projects are considered pioneers of modern architecture in the country. In 1931, he holds the controversial event Experiência nº 2, in which he walks with a cap on his head, in a defiant way, in the opposite direction of a Corpus Christi procession and is quite hostile. In 1932, he opened a studio, where he founded the Clube dos Artistas Modernos – CAM, with Antonio Gomide (1895-1967), Di Cavalcanti (1897-1976) and Carlos Prado (1908-1992). In the following year, he created the Teatro da Experiência and staged the Bailado do Deus Morto – a dance-theater show of his own with na innovative aesthetic, for which he created scenography and costumes and which mostly had black actors. In 1934, he held his first solo exhibition. The show is closed by the police on the grounds of indecent exposure, and reopened a few days later, by court order. In 1947, he made the drawings for the Trágica Series, in which he recorded the death of his own mother. After publishing, in 1956, a series of articles on fashion in the column Casa, Homem, Landscape – in which he writes mainly about architecture and urbanismo. By Eduardo Siqueira
Tarsila do Amaral was born on September 1st, 1886, in the town of Capivari, in the interior of the state of São Paulo, Brazil. She was the daughter of José Estanislau do Amaral and Lydia Dias de Aguiar do Amaral. Tarsila’s father was a wealthy landowner, and she spent her childhood on her father’s farms. Later she studied at Colégio Sion, a convent school in São Paulo, and then in Barcelona, Spain, where she produced her first painting Sagrado Coração de Jesus (Sacred Heart of Jesus) in 1904. Upon returning to Brazil, Tarsila married André Teixeira Pinto, and gave birth to her only child, Dulce.
A few years later, Tarsila separated from André and started her studies in art. In 1918, Tarsila learned sculpture under Zadig, followed by lessons in drawing and painting in the studio of Pedro Alexandrino, where she met the painter Anita Malfatti. In 1920, Tarsila left to study under Émile Renard and at the Académie Julien in Paris, where she stayed until June 1922.
Tarsila learned about the Semana de Arte Moderna or the Week of Modern Art (which happened in São Paulo in February 1922), through the letters of her friend Anita Malfatti. When she returned to Brazil, Tarsila was persuaded by Anita to join the modernist group to which Anita belonged. Tarsila began dating another member of the group, the writer Oswald de Andrade. Together, Tarsila, Anita, Oswald, and the writers Mário de Andrade and Menotti Del Picchia formed the “Group of Five.” They stirred up the city of São Paulo culturally with meetings, parties, and conferences. Tarsila said that she was first exposed to modern art in São Paulo, since until then she had only studied traditional academic art. By Rafael Aaron
Tomás Santa Rosa
Tomás Santa Rosa was an illustrator, graphic artist, painter, decorator, costume designer, engraver, teacher and critic.
After completing his studies at Liceu Paraibano, accountant at Banco do Brasil. In 1932, he moved to Rio de Janeiro and helped Candido Portinari in the execution of several murals. In 1933, he began his activities as an illustrator, collaborating in the in the periodicals Sua Revista and Rio Magazine .
In the following year, he began to collaborate as an illustrator for publications by Editora José Olimpo. Performing this activity until 1954, he created covers and illustrations for several books. Turning to the performing arts, he does some scenographic work for the shows staged by Cia. of Comédias Jaime Costa and in 1938, he founded the group Os Comediantes. In 1945 with Jorge Lacerda , he founded the newspaper A Manhã.
In 1956, he participated in the International Theater Conference, held in Bombay, and as an observer, he was part of the Brazilian commission sent to the UNESCO General Conference on Education, Science and Culture, held in New Delhi. He suddenly passes away in this city. In 1957, the Instituto de Previdência e Assistência dos Servidores do Estado-Ipase acquires its privates collection to found the Santa Rosa Museum, closed in 1977.
Legenda
A porta: It is a artwork produced in 1950 by Tomás Santa Rosa. This work features darkness, free strokes and shaded with graffiti . This work represents an open door, in the midst of landscape with dark and gloomy aspects. The landscape in the background show us a tree swaying due to strong wind. A porta is the only Santa Rosa’s artwork that are made with graffiti. These works are exhibited at the Museu Nacional de Belas Artes in Rio de Janeiro, Brazil
By Vitor Marcelo Reis
Oswald de Andrade
José Oswald de Souza Andrade was a Brazilian poet novelist and cultural critic. He was born and spent most of his life in São Paulo. Andrade was one of the founders of Brazilian modernism and a member of the Group of Five, along with Mário de Andrade, Anita Malfatti, Tarsila do Amaral and Menotti del Picchia. He participated in the Week of Modern Art (Semana de Arte Moderna).
Born into a wealthy bourgeois family in São Paulo, Andrade used his money and connections to support numerous modernist artists and projects. He sponsored the publication of several major novels of the period, produced a number of experimental plays, and supported several painters, including Tarsila do Amaral, with whom he had a long affair, and Lasar Segall.
Andrade joined the Communist Party in 1931, but left it, disillusioned, in 1945. He remained controversial for his radical political views and his often belligerent outspokenness. His role in the modernist community was made somewhat awkward by his feud with Mário de Andrade, which lasted from 1929 (after Oswald de Andrade published a pseudonymous essay mocking Mário for effeminacy) until Mário de Andrade's untimely death in 1945. By Giovana Bandiera
Principais Objetivos:
→ Desenvolvimento da dicção e pronuncia do inglês.
(COMPLEMENTAR)
Professora Responsável: Ana Ometto
